Blending Scenes from WWII into Present Day

 

Sergey Larenkov is a Russian-based artist/photographer who was deeply impacted by World War II. On his Live Journal blog, the Saint Petersburg native has put together a tremendous set of collages of historic World War II photographs blended into the same locations as they currently look today.

Through collaboratiion with the the State Museum of History of St. Petersburg and the Russian State Documentary Film & Photo Archive, in Krasnogorsk; Sergey then travelled to various battle scenes from World War II, snapping a picture in present day for his blended collages. Sergey has travelled to Paris, Berlin, Prague and around Russia, revisiting historic war sites. By snapping these locations from a similar angle as the original war photographs, we get a chilling glimpse into a very different and scary time.

The photographs below are haunting, telling and incredibly fascinating. Be sure to check out the entire collection at: http://sergey-larenkov.livejournal.com/

 

 

1. Storming the Reichstag building in Berlin, Germany (1945/2010)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

2. Paris Occupation (1940/2012)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

3. Berlin (1945/2010)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

4. Defense of Moscow (1941/2009)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

5. Defense of Moscow (1941/2009)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

6. Berlin (1945/2012)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

7. Seige of Leningrad – Saint Petersburg, Russia (1941/2012)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

8.

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

9. Tiergarten Park – Berlin, Germany (1945/2010)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

10. Defense of Moscow (1941/2009)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

11.

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

12. Seige of Leningrad – Saint Petersburg, Russia (1941/2012)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

13. German Cavalry in Paris (1940/2010)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

14. Storming the Reichstag building in Berlin, Germany (1945/2010)

 

Present day photograph and blending by Sergey Larenkov @ sergey-larenkov.livejournal.com

 

 

 

 

 

 

 

 

If you enjoyed this post, the Sifter highly recommends:

 

 

 

 

 

 

 

 

Hiding Air Bases, Factories and Plants in WWII

 

 
It’s February, 1942. US Navy Monitors have just tracked a Japanese submarine skulking just outside of San Francisco. A few nights later, a Japanese submarine surfaces off the coast of Santa Barbara and fires a few shells at an oil storage facility. With the memories of Pearl Harbor from last December still fresh, the threat of a Japanese invasion is palpable.

Enter Lt. Gen. John L. De Witt, head of Western Defense Command. He is tasked with the daunting order to implement ‘passive defense measures’ for all vital installations along the Pacific coast. Executing such an order fell to Col. John F. Ohmer who was stationed at March Field, about 60 miles east of downtown Los Angeles. Camouflage California was on.

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Camouflage Netting: Covering Air Bases, Factories and Plants in WWII

 
Colonel Ohmer, who commanded a camouflage training center at March Field, was a pioneer in camouflage, deception and misdirection techniques. During the Battle of Britain in late 1940, when the full force of the Luftwaffe was attempting to bring England to her knees, Ohmer visited England and witnessed first-hand how carefully made and positioned camouflage was, which caused the Luftwaffe to waste thousands of tons of bombs on empty fields.

In addition to his team at March Field, Ohmer received help from the movie studios in Hollywood. MGM, Disney, 20th Century Fox, Paramount, Universal, all heeded the call; offering up their set designers, painters, landscape artists, carpenters, lighting experts and prop men.

The colonel and his crews began applying Hollywood techniques to camouflage some 34 air bases to include the planting of fake foliage and structural cover. Concurrently, Ohmer set out to conceal key factories and assembly plants that would be likely targets for a Japanese assault on the Pacific Coast. Facilities included the Douglas Aircraft plant in Long Beach, and the Lockheed-Vega aircraft plant in Burbank.

The Lockheed-Vega plant (shown above) was fully hidden beneath a complete suburb replete with rubber automobiles and peaceful rural neighborhood scenes painted on canvas. Hundreds of fake trees and shrubs were positioned to give the entire area a three dimensional appearance.

Maintaining the illusion of a neighborhood required careful timing and planning. The suburb had to show signs of life and activity. To do this, workers occasionally emerged to relocate automobiles, and through hidden trap doors in the canopy, appeared to take walks on hidden catwalks and pretended to do maintenance work. [Source]
 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

 

Camouflage Netting in WWII Continued…

 
Flights over camouflaged areas tested positively as pilots were unable to identify the bases, factories and plants. Soon orders came from other areas of the US. In Seattle, the gigantic 26-acre Boeing Aircraft complex ordered the same treatment, blanketing the plant under netting; disguising the area as a suburb complete with municipal buildings, parks, schools and homes.

As the war continued, the threat of Japanese invasion pacified, especially after the US Navy dealt a crippling blow to the Japanese carrier task force at Midway Island. Eventually the camouflage would be removed but had the Japanese ever mounted an aerial attack it would have been fascinating to see if the camouflage netting would have proved successful. [Source]

 

 

 

 

 

 

 

 

 

 

 

 

Sources

The Disguise of California by Dennis Casey
Douglas’ Dream Took Wing in Santa Monica by Cecilia Rasmussen
California Becomes a Giant Movie Set
Hiding in Plain Sight

 

 

 

 

 

 

If you enjoyed this post, the Sifter highly recommends:

 

 

 

 

 

 

 

The History of Razzle Dazzle Camouflage

 

The Situation

 
You’re the Fleet Admiral of the Navy in World War I. Your ships are being sunk at an alarming rate by the devastatingly effective German U-Boat. The traditional camouflage isn’t working because your environment (sea and sky) changes with the weather. What do you do?

 

german-u-bat-wwi

This is the German U-Boat Sinking your Battleships

 

The Insight

 
It’s not where you are it’s where you’re going

World War I occurred from 1914–1918; back then sinking an enemy battleship was a three-step process:

Step 1: Locate your target’s position and plot its course.
Step 2: Determine the ship’s speed and confirm the direction it is heading
Step 3: Launch torpedo not directly at the ship, but where you think it’s going to be by the time the torpedo reaches the ship.

*Remember this is early 20th century warfare, weapons don’t travel at the speed they do today

So what’s your solution Fleet Admiral?
 
HIT THEM WITH THE RAZZLE DAZZLE
 
Forget about not being seen, that only solves their first problem. Focus on confusing them so they don’t know where you’re going. Then their torpedoes will be shot in vain because they thought you zigged when you really zagged.

British Artist and naval officer Norman Wilkinson had this very insight and pioneered the Dazzle Camouflage movement (known as Razzle Dazzle in the United States). Norman used bright, loud colours and contrasting diagonal stripes to make it incredibly difficult to gauge a ship’s size and direction.

It was cheap, effective, and widely-adopted during the War. Check out the incredible photographs below.

*NOTE: Unfortunately the images are in black and white, being from the early 1900s and all, so the loud, bold colours will require a little imagination. Can you picture a fleet of electric yellow, orange and purple ships coming to get ya!

 

 

normal-wilkinson-inventor-of-dazzle-camouflage

The Father of Dazzle Camouflage Norman Wilkinson

 

ww-i-dazzle-painting-camouflage

 

wwi-razzle-dazzle-ship

 

zebra-striped-camouflage

 

world-war-one-camouflage

 

world-war-1-dazzle-camouflage

 

razzle-dazzle-paintjob

 

razzle-dazzle-painting

 

war-clover-dazzle-camo-sketch

 

war-clover-dazzle-camo-actual

 

war-clover-dazzle-camo-render

To give you an idea of colour, here’s a sketch, actual and render

 

razzle-dazzle-camouflage

 

razzle-dazzle-boat

 

example-of-dazzle-camouflage-ship

 

razzle-dazzle-camouflage-sketch

 

dazzle-painting-ship

 

dazzle-painting-a-boat

 

dazzle-camouflage-sketches

 

dazzle-camouflage-ship

 

dazzle-camouflage-boat

 

cubism-razzle-dazzle-camouflage-painting

 

crazy-camouflage-paint-job

 

As sonar and radar technology improved, the once effective dazzle camouflage was rendered obsolete. By WWII the dazzle camouflage was an afterthought. Thankfully contemporary artists like Jeff Koons have kept the style alive with outrageous boats like this:

 

jeff-koons-razzle-dazzle-boat

Photograph by monacoeye.com

 

 

SOURCES

– Information: http://gotouring.com/razzledazzle/articles/dazzle.html
– Information: http://en.wikipedia.org/wiki/Dazzle_camouflage
– Photographs: http://www.history.navy.mil/branches/nhcorg11.htm

 

 

 

If you enjoyed this post, the Sifter
highly recommends: