Homemade Chairs on the Streets of China

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Photograph by Michael Wolf

 

Born in Germany and raised in the United States, Europe, and Canada; Michael Wolf began his career as a photojournalist, spending eight years working in Hong Kong for the German magazine Stern. After many years in the industry, Wolf quit photojournalism in the early 2000s, focusing strictly on fine-art photography and personal projects.

One of his first non-editorial photography series was Bastard Chairs. The series would prove worthwhile, as he exhibited the images worldwide and published a book in 2002 entitled, Sitting in China. Wolf explains:

“They are not elegant, nor are they always comfortable. But neither are they mass-produced: they are individuals. In china, the objects used for sitting are as manifold as the occasions for sitting. Each chair and stool has its own character, is a companion, a bastard, or a venerable elder. Their occupants sit close to the floor, introspective, watching the world go by, without the pressure of time.
 
But a photographer trying to document such a scene quickly becomes the focus of attention: people passing by wonder what is going on; the person on the chair assumes a pose, though the intent was to catch him or her unawares. The photographs document the beauty of the ugly, the stretching of time, the art of improvisation, and the nature of the stool as a portrait of its user. Sometimes, a photographed chair was immediately confiscated by its owner: having lost its anonymity by being singled out as a photographically noteworthy object, it became an object of embarrassment, too shoddy to come once again into the camera’s viewfinder.

 

Wolf reports that the police detained him twice during the photographing of the series for “doing something which was harmful to the Chinese state.” Although Wolf called the bastard chairs a “great symbol of the Chinese people’s thriftiness and resourcefulness,” and the book received positive reviews in the West, some Chinese people felt that the photographs made China appear “backward.” [Source]

The Sifter has previously featured the work of Wolf, and many of his projects have garnered international attention. Be sure to visit his official website [photomichaelwolf.com] for more fascinating series, including Bastard Chairs .

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

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Photograph by Michael Wolf

 

 

 

see the complete series at PHOTOMICHAELWOLF.COM

 

 

 

 

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11 Sculptures Crafted from Old Skateboard Decks

 

Japanese artist Haroshi makes art pieces by recycling old skateboards. His creations are born through styles such as wooden mosaic, dots, and pixels; where each element, either cut out in different shapes or kept in their original form are connected in different styles, and shaven into the form of the final art piece.

Haroshi became infatuated with skateboarding in his early teens and is still a passionate skater. With no formal art training, Haroshi adapted the determined perseverance and DIY ethos of skate culture to his artwork.

The most important style of Haroshi’s sculptures is the wooden mosaic. In order to make a sculpture out of a thin skateboard deck, Haroshi stacks countless layers. While skateboards may seem like they’re all the same shape, their structures vary according to the brand and model. With his extensive knowledge of skateboards, Haroshi is able to differentiate from thousands of used decks, immediately knowing which deck fits with which when stacked.

After the skateboard decks are chosen and stacked, they are cut, shaved and polished. His style is influenced by the traditional wooden Japanese Great Buddhas. 90% of Buddha statues in Japan are carved from wood and built using the method of wooden mosaic; in order to save on material costs and to minimize weight. Although not visible from the outside, there is a metal object buried inside his sculptures. To Haroshi, this symbolizes the soul of the sculpture. Unkei, a Japanese sculptor of Buddhas who was active in the 12th Century used to set a crystal ball called “Shin-Gachi-Rin” (Heart Moon Circle) in the position of the Buddha’s heart. This would become the soul of the statue.

To see more of Haroshi’s fantastic work, be sure to check out his official website.

 

All Artwork by Haroshi
HAROSHI.COM

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

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ARTWORK BY HAROSHI
Photo by Taro Hirano

 

 

 

See More Incredible Artwork @ HAROSHI.COM

 

 

 

 

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Mom Gives Son Lamp Filled With Items She Found Doing His Laundry Growing Up

 

Currently the top post on the front page of Reddit is this heart-warming lamp Redditor, justgrant2009, received from his mom on his wedding day. The lamp was filled with things his mom had found in his pockets whilst doing his laundry growing up.

What a simple, sentimental and creative gift! I’m sure many may adopt this very idea for their own special moment. Officially the best thing to put a smile on my face today 🙂

 

 

 

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