Picture of the Day: Pigeon Point Lighthouse

 

PIGEON POINT LIGHTHOUSE

 

pigeon-point-lighthouse-at-night

 

In this nighttime long exposure photograph by Kaddi Suddhi, we see the famous Pigeon Point Lighthouse in San Mateo, California.

According to the California State Parks website:

“Perched on a cliff on the central California coast, 50 miles south of San Francisco, the 115-foot Pigeon Point Lighthouse, one of the tallest lighthouses in America, has been guiding mariners since 1872. Its five-wick lard oil lamp, and first-order Fresnel lens, comprised of 1,008 prisms, was first lit at sunset, November 15, 1872. The lens stands 16 feet tall, 6 feet in diameter, and weighs 8,000 pounds. It sits in a lantern room that had been constructed at the Lighthouse Service’s general depot in New York before being shipped around the Horn. Although the original Fresnel lens is no longer in use, the lighthouse is still an active U.S. Coast Guard aid to navigation using a 24 inch Aero Beacon.”

 

The park is located along California Highway 1, 20 miles south of Half Moon Bay and 27 miles north of Santa Cruz. Half hour guided history walks around the lighthouse grounds are available 10am to 4pm Friday through Monday, except on rainy days. Marine mammals, such as seals and whales, can be seen regularly from shore as they pass by beyond the surf. [Source]

To get the shot, Kaddi used: NIKON D300S, Tokina 12-24mm lens @ 16mm focal length, Shutter Speed 190 sec, Aperture f/6.3, ISO 200

 

 

 

 

Chandelier Projects Spooky Shadow Forest onto Walls

 

Designed by Hilden & Diaz, Forms in Nature is a light sculpture/chandelier that transforms its surrounding space into a spooky forest made from shadows. As the duo explain:

“Using a simple action, such as intensifying the brightness at the center of the artwork, the light transforms the space and adds character… The light sculpture is partly inspired by Ernst Haeckel’s (1834-1919) detailed plots from nature and is a further development of Hilden & Diaz’s fascination with mirrorings, as they have previously applied in other artworks.
 
The forest is mirrored around it’s horizontal central axis and forms a circle 360 degrees around the light source and thereby leads one onto the notion of a real world versus an underworld. Interestingly, the roots are those elements of the forest that are the most visible. Thereby the sculpture is not only mirrored, but also turned upside down… As the intensity of the light source increases, the room changes and the space slowly becomes more and more fascinating and unheimlich.
 
Mirrorings are thrown out upon the walls and ceilings and provide weak Rorschach-like hints of faces, life and flow of consciousness. Diming the lights transforms the installation and one senses a weak fire burning deep in the center of the forest.”

 

Hilden & Diaz is collaboration between the artists Thyra Hilden (1972, DK) and Pio Diaz, (1973, AR). In 2005, the two artists founded the partnership. Hilden came from exploring existential ambiguity in her photographs and video installations and Diaz worked with political and social critique through interventions in public space. Their artworks have several overlapping branches: technology, cognition, psychology, history and most central nature. This palette of subjects, always seems to interlink through the core of their work.

[Hilden & Diaz via My Modern Met]

 

1.

chandelier projects shadow forest on walls hilden and diaz (1)

Photograph by Tadao Cern

 

 

2.

chandelier projects shadow forest on walls hilden and diaz (2)

 

 

3.

chandelier projects shadow forest on walls hilden and diaz (3)

 

 

Forms in Nature Chandelier in Action

 

 

 

 

 

 

 

If you enjoyed this post, the Sifter
highly recommends:

 

 

 

 

 

 

 

 

 

 

This is What Happens When You Put LEDs on a Roomba

 

Introduced in 2002, Roomba is a series of autonomous robotic vacuum cleaners sold by iRobot. Under normal house conditions, the Roomba is able to autonomously vacuum the floor while navigating a living space and avoiding obstacles.

Roombas do not map out the rooms they are cleaning. Instead, they rely on a few simple algorithms such as spiral cleaning (spiraling), room crossing, wall-following and random walk angle-changing (after bumping into an object or wall). This design is based on MIT researcher and iRobot CTO Rodney Brooks’ philosophy that robots should ‘be like insects, equipped with simple control mechanisms tuned to their environments‘. The result is that although Roombas are effective at cleaning rooms, they take several times as long to do the job as a person would. Roombas may cover some areas many times, and other areas only once or twice. [Source]

Roombas also come equipped with color-changing LEDs that indicate things like remaining battery power and dirty spots. The LED lights combined with a seemingly random cleaning path has led some intrepid photographers to take long exposure photographs. The results, a kind of ‘light painting’ are mesmerizing.

Some artists have even taken the idea a step further, using multiple roombas in a single room or affixing various colored LEDs to the Roomba to garner a multitude of results. And with no two Roomba paths being the same, the possibilities are endless.

[via Roomba Art on Flickr]

 

1.

roomba floor path long exposure light painting (1)

Photograph by IBRoomba on Flickr

 

A swarm of seven Roombas, each with a differently colored LED on top. The roombas are operating at the same time. This is part of a “Roomba Art” picture series produced by Tobias Baumgartner, Marcus Brandenburger, Tom Kamphans, Alexander Kroeller, and Christiane Schmidt of the IBR Algorithm Group and Braunschweig University of Technology.

 

2.

roomba floor path long exposure light painting (12)

 

“45 minute exposure of my Roomba cleaning a room. This was my 4th attempt, I repeatedly had the f-stop too low and the resulting noise was too great. The silly bit is that since my floor was very clean after the previous 3 attempts I had to sprinkle dirt in spots to get the blue circles that come from the Roomba spot cleaning.” – Chris Bartle

 

3.

IMG_4864

 

 

4.

Take 2, much better

 

 

5.

Mmmm candycanes

Photograph by reconscious on Flickr

 

“I swapped the LEDs around so that the forward velocity reading was feeding the red LED, and was almost always on. The blue and white LEDs lit up whenever the Roomba slowed down or its motion jerked.” – reconscious on Flickr

 

6.

roomba floor path long exposure light painting (3)

Photograph by Alexander Kachkaev

 

“Light trail left by iRobot Roomba during its first 30 minutes of cleaning. The wall on the right is illuminated by a LED on Roomba’s base, a place where the robot parks to charge its battery after finishing.” – Alexander Kachkaev

 

7.

roomba floor path long exposure light painting (8)

Photograph by IBRoomba on Flickr

 

A swarm of seven Roombas, each with a differently colored LED on top. The roombas are operating at the same time. This is part of a “Roomba Art” picture series produced by Tobias Baumgartner, Marcus Brandenburger, Tom Kamphans, Alexander Kroeller, and Christiane Schmidt of the IBR Algorithm Group and Braunschweig University of Technology.

 

8.

roomba floor path long exposure light painting (13)

Photograph by zim2411 on Flickr

 

“10 minutes of roomba-ing stacked in Photoshop” – zim2411 on Flickr

 

9.

_MG_9829_waves_and_the_spinning_Roomba

 

 

10.

Roomba Painting 2

Photograph by reconscious on Flickr

 

 

11.

roomba floor path long exposure light painting (6)

Photograph by IBRoomba

 

A swarm of seven Roombas, each with a differently colored LED on top. The roombas are operating at the same time. This is part of a “Roomba Art” picture series produced by Tobias Baumgartner, Marcus Brandenburger, Tom Kamphans, Alexander Kroeller, and Christiane Schmidt of the IBR Algorithm Group and Braunschweig University of Technology.

 

12.

roomba floor path long exposure light painting (4)

Photograph by Alexander Kochkaev

 

“Light trail left by iRobot Roomba during its first 30 minutes of cleaning. A blue circle in the centre of the room is a spot that Roomba found too dirty and did some extra cleaning there. It turns blue LED on when finds such areas and rides around. Red lighting is coming from microwave’s clock! The room was completely dark, however the clock sent enough photons in half an hour to illumine the wall and furniture on the photo. Violet glow in the top-right corner is just imperfection of camera’s sensor and lens.” – Alexander Koachkaev on Flickr

 

13.

IMG_2325.JPG

Photograph by reconscious

 

 

14.

roomba floor path long exposure light painting (2)

Photograph by zim2411 on Flickr

 

“Camera was mounted to the ceiling using a tripod + duct tape. Each photo was a 30″ exposure at ISO 800, with an 18mm lens at f/4.5. It was about 40 minutes worth, and then I stacked the images in Photoshop. The spiral in the middle is where the roomba started. As the battery lost power, it fades to red.” – zim2411 on Flickr

 

15.

roomba floor path long exposure light painting (10)

Photograph by IBRoomba

 

A swarm of seven Roombas, each with a differently colored LED on top. The roombas are operating at the same time. This is part of a “Roomba Art” picture series produced by Tobias Baumgartner, Marcus Brandenburger, Tom Kamphans, Alexander Kroeller, and Christiane Schmidt of the IBR Algorithm Group and Braunschweig University of Technology.

 

 

 

If you enjoyed this post, the Sifter
highly recommends:

 

 

 

 

 

 

 

Shadow Art Sculptures by Diet Wiegman

 

Diet Wiegman is a Dutch artist that uses a combination of sculpture and light to create fascinating shadow art projected onto walls. Born in 1944, he began experimenting with light sculptures in the 1980s, inspiring a generation of artists after him to also explore the art style (e.g., Tim Noble & Sue Webster, Kumi Yamashita).

For more artwork by Wiegman, be sure to check out his official site at dietwiegman.tumblr.com/ where you will find all of his light sculptures as well as drawings, paintings, photographs, ceramics and more.

[Alafoto via TruthSeerum]

 

 

1.

shadow-art-diet-wiegman-(1)

Artwork by Diet Wiegman

 

 

2.

shadow-art-diet-wiegman-(2)

Artwork by Diet Wiegman

 

 

3.

shadow-art-diet-wiegman-(12)

Artwork by Diet Wiegman

 

 

4.

shadow-art-diet-wiegman-(9)

Artwork by Diet Wiegman

 

 

5.

shadow-art-diet-wiegman-(3)

Artwork by Diet Wiegman

 

 

6.

shadow-art-diet-wiegman-(6)

Artwork by Diet Wiegman

 

 

7.

shadow-art-diet-wiegman-(8)

Artwork by Diet Wiegman

 

 

8.

shadow-art-diet-wiegman-(5)

Artwork by Diet Wiegman

 

 

9.

shadow-art-diet-wiegman-(10)

Artwork by Diet Wiegman

 

 

10.

shadow-art-diet-wiegman-(7)

Artwork by Diet Wiegman

 

 

 

 

 

 

 

If you enjoyed this post, the Sifter
highly recommends:

 

 

 

 

 

 

 

 

 

 

Picture of the Day: The ‘Resonate’ Light Installation at Luminale

 

THE ‘RESONATE’ LIGHT INSTALLATION
AT LUMINALE

 

Photograph by Thomas Wolf @ foto-tw.de

 

Luminale is an is an international light culture festival which takes place every two years in Frankfurt-Rhine Main. The concept was developed in 2000 and implemented for the first time the 2002. After the initial years of rapid growth the festival has stabilized to approximately 170 events and has become one of the more significant architecture and design festivals in Europe. Luminale is a platform for ideas and innovations about light, energy efficiency, use of new technologies and materials and urban quality of life in our cities.

Featured at Luminale 2012 was ‘Resonate‘, a series of white elastic strings pulled across the interior of a container ship. Visitors were able to play with the strings and thus participate in the creation of an audiovisual performance. When fiddled with, the pulled strings produced sound and lighting effects, turning the room into a collective musical instrument.

‘Resonate’ was an interdisciplinary project between the Master students of the program “Interior Design- Spatial Communication” University of Applied Sciences Mainz and the Master program “Sound Art – Composition” Johannes Gutenberg University.

Visit the official Luminale site to learn more about the festival. Visit the official ‘Resonate‘ site to learn more about this specific installation.

 

 

 

 

The Incredible Winter Light Festival in Japan

 

Located in Kuwana City (Mie Prefecture) is Nabano No Sato, a flower-focused park featuring sprawling gardens and giant greenhouses. Running annually from mid November to mid March is one of Japan’s finest Winter Illuminations, including the famous tunnel of light.

The park also features an onsen (hot spring) and a variety of restaurants including the Nagashima Beer Garden. Open from 9am – 9pm, the park is a very popular tourist attraction so be prepared for crowds, especially on weekends. [Source: miejets.org].

 

[Sources: Official Site, My Modern Met, Mie Guidebook,

 

 

1.

Nabana no Sato

Photograph by André Sato on Flickr

 

 

2.

 

 

3.

Nabana no Sato 9

 

 

4.

nabana no sato

 

 

5.

R0010074.JPG

 

 

6.

 

 

7.

Flower garden?

 

 

8.

 

 

9.

nabana no sato

Photograph by bunnyojisan on Flickr

 

 

10.

nabana no sato

Photograph by bunnyojisan on Flickr

 

 

 

 

 

If you enjoyed this post, the Sifter
highly recommends:

 

 

 

 

 

 

 

 

 

 

 

 

 

Bruce Munro’s Light Installations at Longwood Gardens

 

Located in Kennet Square, Pennsylvania, Longwood Gardens consists of over 1,077 acres of horticultural heaven with 20 indoor and 20 outdoor gardens for visitors to explore. Featuring a 20,000 sq ft conservatory with over 5,500 types of plants, and extensive outdoor gardens and fountains; the Longwood is a great place to experience nature’s beauty.

Currently running at the Longwood Gardens until September 29th, 2012 are nine different light installations by British artist and light designer, Bruce Munro. In this debut exhibition, the gardens become illuminated with large-scale, site-specific installations that will take your breath away.
 
For visitation and additional information on all of the exhibits, be sure to check out the official website at: http://light.longwoodgardens.org/light/home

 

 

 

Longwood Gardens: Light Installations by Bruce Munro

 

The Bruce Munro Installation "Light" at Longwood Gardens

 

 

 

Longwood Gardens

Photograph by Fred Dunn on Flickr

 

 

 

D7K_3471

Photograph by Martin Lang on Flickr

 

 

 

Water Towers – Light Installation by Bruce Munro

 

A Successful Plan

Photograph by ADW44 on Flickr

 

 

 

Bruce Munro 1-13

 

 

 

Longwood Light Towers - Munro

Photograph by Crag Huller on Flickr

 

 

Water Towers: Meadow at Hourglass Lake

 
Water Towers marks the transition between Longwood’s formal Gardens and its natural landscape. Comprised of 69 structures built out of one-liter recyclable plastic bottles filled with water, laser-cut wood layers, and fiber optics connected to an LED projector and sound system, the installation beckons visitors to immerse themselves in the spaces between the towers to explore the spectacle of light and sound.

“When I was 21 years old, I read a book called The Gifts of Unknown Things by Lyall Watson, a radical thinker operating on the margins of accepted science. In it Watson describes Tia, a young girl living on an island in the Indonesian archipelago who possesses the magical gift of seeing sounds in color. Watson also writes about how the Earth has a natural pulse in the upper atmosphere, resonating at a rate of 69 beats per day. The pulse forms a deep note well below human powers of hearing. As a tribute to Watson, the installation consists of 69 towers that change color according to the music played from them. As a result, visitors will experience sound translated into color, just as Tia did.” – Bruce Munro

 

Materials
—17,388 1-liter recyclable bottles
—552 laser-cut wood layers
—42.9 mi (69,000 m) bare optic fiber
—69 LED light sources with hand-painted color wheels
—23 speakers
—1 audio control box
—1 solid-state music player
—This installation uses 1,500 watts of power—similar to energy used by a standard electric heater
– All materials will be recycled or reused in future installations by Munro. The bottles will be recycled locally

 
[Source: Longwood Gardens]

 

 

 

Forest of Light – Installation by Bruce Munro

 

Field of Lights

Photograph by Fred Dunn on Flickr

 

 

 

Field of Lights

Photograph by Fred Dunn on Flickr

 

 

 

Field of Lights

Photograph by Fred Dunn on Flickr

 

 

Forest of Light: Forest Walk

 
Forest Walk is a densely populated ecosystem of tulip trees, white oaks, and sugar maples that provides a secluded, immersive setting for Forest of Light, an installation comprised of 20,000 illuminated glass spheres lining the pathways. Inspired by the way in which dormant seeds burst into bloom after a rainfall, it is an appropriately sited tribute to the ephemeral beauty of natural cycles and their lasting survival over time.

“Forest of Light is an arboreal variation on my work Field of Light, which was originally conceived in 1992 during a trip I took through the Red Desert in central Australia. Deserts have an incredible feeling of energy and ideas seemed to radiate from them along with the heat. They also have many incongruities: they seem to be infertile, barren places until it rains and they bloom like a veritable Eden. I wanted to create an illuminated field of stems that, like the dormant seed in a dry desert, would bloom after darkness falls with gentle rhythms of light under a blazing blanket of stars. By placing an alien installation in the midst of nature, the enormous contrast allows one to literally see the wood from the trees, and that has always been the focus since the idea first germinated so many years ago.” – Bruce Munro

 

Materials
– 20,000 clear glass spheres
– 20,000 acrylic rods mounted on stakes
– 86.9 mi (140,000 m) bare optic fiber
– 80 halogen light sources with hand-painted color wheels
– On a sunny day, Longwood’s solar field produces enough energy to run this installation for 54,800 days.
– All materials will be recycled or reused in future installations by Munro.
 
[Source: Longwood Gardens]

 

 

 

Arrow Spring – Light Installation by Bruce Munro

 

Longwood Gardens - Light

 

 

 

Photograph via Longwood Gardens Blog

 

 

Arrow Spring: Beyond Flower Garden Walk

 
Arrow Spring is a 300-foot serpentine trail filled with sage that resembles a flowing watercourse by day and a meandering stream of light by night. Its luminescence is the result of the innovative pairing of ordinary LED flashlights and cutting-edge fiber optics concealed within sculptural spheres placed throughout the landscape, weaving 15,000 points of light into the swath of sage.

“The idea for Arrow Spring came to me on a bike ride in 2009. I was thinking about the meandering pathway that led through a work of mine called CD Sea (in which 600,000 recycled CDs were laid out in a field in the British countryside) and realized there was a natural connection to the spiritual rivers described in two of my favorite books, Kim by Rudyard Kipling and Siddhartha by Hermann Hesse. My idea was to simply create a serpentine river of light, and the title of the installation is taken from the River Arrow in Kim.” – Bruce Munro

 

Materials
– 16 stainless steel spheres
– 16 LED flashlights
– Over 58 mi (94,000 m) bare optic fiber
– 328 ground stakes
– Four different sage: Salvia farinacea ‘Blue Emotion’ SallyfunTM, Salvia farinacea ‘Blue Tune’ SallyfunTM, Salvia farinacea ‘Dansalfun1’ Sallyfun Blue, and Salvia farinacea ‘Evolution’
– All non-plant material will be recycled or reused in future installations by Munro. The sage will be turned into planting material at the Gardens’ composting facility.
 
[Source: Longwood Gardens]

 

 

 

Light Shower – Installation by Bruce Munro

 

Photograph via denniedarko on Reddit

 

 

 

Another Bruce Munro installation

Photograph via Fred Dunn on Flickr

 

 

Light Shower: Exhibition Hall

 
The Exhibition Hall is an extraordinary site for Light Shower, an installation of 1,650 teardrop-shaped diffusers suspended from the ceiling by fiber-optic strands. Reflecting in the water that floods the Hall’s sunken marble floor, Light Shower provides a particularly poetic visual accompaniment to a space that is valued as one of the Gardens’ most iconic.

“In 2008 I was invited to propose some alternative lighting designs for a contemporary highland lodge at the head of Loch Ossian in Scotland. I found myself sitting on a step halfway up the main stairs of the lodge absorbing a magnificent, uninterrupted view of the loch and group of snow-capped mountains beyond it. It was raining in squalls against the plate-glass window, which distorted the view with rivulets of water streaming down the panoramic pane. The words “light” and “shower” registered in my mind and I had my idea. The original installation now hangs motionless as if suspended in time, overlooking but not interrupting the view of Loch Ossian. By day it catches glimpses of the sunshine, shedding prismatic flecks of light onto the stairs, by night it morphs into what it is: a shower of light.” – Bruce Munro

 

Materials
– 1,650 teardrop diffusers
– 10.3 mi (16,500 m) bare optic fiber
– 3 halogen light sources with hand-painted color wheels
– On a sunny day, Longwood’s solar field produces enough energy to run this installation for 93,352 days.
– All materials will be recycled or reused in future installations by Munro
 
[Source: Longwood Gardens]

 

 

 

Field of Light – Installation by Bruce Munro

 

Photograph via Longwood Gardens Blog

 

 

 

Photograph via Longwood Gardens Blog

 

 

Field of Light: Small Lake

 
Field of Light is an installation composed of 7,000 frosted glass spheres that appears to grow organically on the far bank of the Small Lake. Reflecting both the installation and the site’s naturalistic park-like landscape, the water serves to extend the scale of the artwork.

“Field of Light was originally conceived in 1992 during a trip I took through the Red Desert in central Australia. Deserts have an incredible feeling of energy and ideas seemed to radiate from them along with the heat. They also have many incongruities: they seem to be infertile, barren places until it rains and they bloom like a veritable Eden. I wanted to create an illuminated field of stems that, like the dormant seed in a dry desert, would bloom after darkness falls with gentle rhythms of light under a blazing blanket of stars.” – Bruce Munro

 

Materials
– 7,000 frosted glass spheres
– 7,000 acrylic rods mounted on stakes
– 34.8 mi (56,000 m) bare optic fiber
– 15 metal halide light sources with hand-painted color wheels
– Each “stem” uses approximately 3.3 watts—or in total 1,950 watts, the equivalent of a large microwave oven.
– All materials will be recycled or reused in future installations by Munro
 
[Source: Longwood Gardens]

 

 

 

 

 

 

 

 

 

 

If you enjoyed this post, the Sifter highly recommends:

 

 

 

 

 

 

 

 

 

 

 

 

 

The Great Bioluminescence of 2009

Photograph by PHIL HART @ philhart.com | Prints available at Red Bubble

 

 

Starting in late December of 2008 and ending in January of 2009, the shores of the Gippsland Lakes in Victoria, Australia were awash in a sea of glowing bioluminescent flagellate protists known as Noctiluca scintillans.

This incredible phenomenon was captured brilliantly by Phil Hart, a specialist in night sky and astrophotography. Phil put together an extensive post outlining the extraordinary events that led to this amazing occurrence, as well as an in-depth explanation about how he took each shot.

I’ve summarized the key events below, but be sure to head to Phil’s site for the full story on this remarkable event.

 

 

Photograph by PHIL HART @ philhart.com | Prints available at Red Bubble

 

 

How did this happen?

 
– In December of 2006 the huge alpine bushfires in Victoria began. It was one of the most extensive in Australia’s history
– These fires burnt a vast area of the catchment for the Gippsland Lakes
– After the fire subsided an east coast low pressure system dumped more than 100mm of rain over many locations across Gippsland on 27th June 2007
– The result was a 1 in a 100 year flood in the days and weeks that followed [Source]
– The torrential rains flooded the Gippsland Lakes with ash and nitrogen-rich soil from the bushfire
– This led to an outbreak of Synechococcus algae which gave the waters a green tinge
– The Synechococcus levels eventually moderated in the cooler months of 2008, but there was concern that it would return in force the following summer
– The following summer, a new species called Noctiluca scintillans began to prosper, by feeding on the Synechococcus
– And it was them that led to the great bioluminescence captured by Phil Hart

Phil says he has spent the last 20 summers in the Gippsland Lakes and he has never witnessed bioluminescence like he did in late December of 2008 and January of 2009.

 

 

Photograph by PHIL HART @ philhart.com | Prints available at Red Bubble

 

 

Photograph by PHIL HART @ philhart.com | Prints available at Red Bubble

 

 

Photograph by PHIL HART @ philhart.com | Prints available at Red Bubble

 

 

Photograph by PHIL HART @ philhart.com | Prints available at Red Bubble

 

 

Phil Hart – Photographer

 
Phil Hart has been enjoying and photographing the night sky for nearly twenty years. His award winning photos have been published in books, magazines and popular websites around the world. Phil runs night sky photography workshops with Michaels Camera Store, one of the largest retail camera stores in Australia.

Phil’s newest eBook ‘Shooting Stars: How to Photograph the Moon and Stars with your DSLR‘ is available on his website and will show you how to shoot the moon and the stars with just your digital SLR and a tripod. It will teach you about five key styles of night sky photography and the camera settings required for each:

Twilight landscapes
Night sky scenes (short exposures)
Star trails (long exposures)
The Moon
Night sky timelapse videos

Check out Phil’s site for more information: http://philhart.com/shooting-stars

 

 

 

If you enjoyed this post, the Sifter
highly recommends:

 

 

 

 

 

Amazing Light Paintings by Trevor Williams [25 pics]


Light Painting by Trevor Williams

 

A self-proclaimed ‘camera freak’, Trevor Williams is an expert at light painting and night photography. Armed with a palette of custom light painting gadgets and tools he fabricated himself, Trevor creates incredible works of photographic art that have to be seen to believe.

Below you will find a small sample of his awesome work along with a brief overview of what exactly light painting is. Certified BADASS!

 

2.


Light Painting by Trevor Williams

 

3.


Light Painting by Trevor Williams

 

4.


Light Painting by Trevor Williams

 

5.


Light Painting by Trevor Williams

 

WHAT IS LIGHT PAINTING?

Light painting, also known as light drawing or light graffiti, is a photographic technique in which exposures are made usually at night or in a darkened room by moving a hand-held light source or by moving the camera. In many cases the light source itself does not have to appear in the image.

The term light painting also encompasses images lit from outside the frame with hand-held light sources. The first known photographer to use this technique was Man Ray in his series “Space Writing” created in 1935. The photographer Ellen Carey discovered Man Ray’s signature signed by penlight nearly 74 years after the pictures had been taken. [Source: Wikipedia]

 

6.


Light Painting by Trevor Williams

 

7.


Light Painting by Trevor Williams

 

8.


Light Painting by Trevor Williams

 

9.


Light Painting by Trevor Williams

 

10.


Light Painting by Trevor Williams

 

WHAT IS LIGHT PAINTING? Continued…

The light can either be used to selectively illuminate parts of the subject or to “paint” a picture by shining it directly into the camera lens. Light painting requires a sufficiently slow shutter speed, usually a second or more. Like night photography, it has grown in popularity since the advent of digital cameras because they allow photographers to see the results of their work immediately.

Flash lights or light pens can also be used to create Full Bleed images. Different colored lights can be used to project an image on the CCD. [Source: Wikipedia]

 

11.


Light Painting by Trevor Williams

 

12.


Light Painting by Trevor Williams

 

13.


Light Painting by Trevor Williams

 

14.


Light Painting by Trevor Williams

 

15.


Light Painting by Trevor Williams

 

TECHNIQUES & EQUIPMENT

A variety of light sources can be used, ranging from simple flashlights to dedicated devices like the Hosemaster, which uses a fiber optic light pen. Other sources of light including candles, matches, lighter flints, glowsticks, and Poi are also popular.

A tripod is usually necessary due to the long exposure times involved. Alternatively, the camera may be placed on or braced against a table or other solid support. A shutter release cable or self timer is generally employed in order to minimize camera shake. Color Gels can also be used to color the light sources.

Manual focus is often used since autofocus systems may not perform well in low light. In addition, photographers often use a slow film speed or low ISO setting on a digital sensor to minimize grain (or digital noise) and increase exposure tolerance, as evaluating exposure is often tricky.

Aperture is also an important variable in light painting. Smaller apertures such as f16 or f22 generate a sharper image and preserve a large depth of field, creating deep focus. This technique requires longer exposure times but creates interesting results. Larger apertures such as f5.6 or f2.8 often blur the lines drawn by a light pen or LED source. [Source: Wikipedia]

 

16.


Light Painting by Trevor Williams

 

17.


Light Painting by Trevor Williams

 

18.


Light Painting by Trevor Williams

 

19.


Light Painting by Trevor Williams

 

20.


Light Painting by Trevor Williams

 

TREVOR WILLIAMS ONLINE

Fiz-iks
Flickr
Twitter
YouTube
Facebook
Tumblr
RedBubble

Fiz-iks is group of international artists based in Japan that have chosen photography and animated video as there medium. They specialize in light painting photography for the still and animated images.

They chose light painting because of its unique feel that cannot be duplicated with any other method. The basics of light painting involve moving different light sources in front of an open shutter to create different effects. The art combines photography, performance, and use of the local environment.

They are currently looking for new projects that include hosting workshops, collaborating with other artists, or partaking in exhibitions. They are also currently looking for sponsors. If you are interested in working with Fiz-iks on any level drop them an email [talktous(at)fiz-iks.com].

 

21.


Light Painting by Trevor Williams

 

22.


Light Painting by Trevor Williams

 

23.


Light Painting by Trevor Williams

 

24.


Light Painting by Trevor Williams

 

25.


Light Painting by Trevor Williams

 

 

IF YOU ENJOYED THIS POST, THE SIFTER HIGHLY RECOMMENDS:

 

THE AWESOME DECONSTRUCTION ART OF TODD MCLELLAN