The “Before I Die” Project

the first location of the before i die street project by candy chang in new orleans on an abandoned building

Copyright © Civic Center

 

When Candy Chang lost someone she loved very much, the experience helped clarify her life but she struggled to maintain perspective. She wanted to know what was important to the people around her.

 

before i die street art project in new orleans on side of abandoned building

Copyright © Civic Center

 

With help from old and new friends, Candy turned the side of an abandoned house in her neighborhood in New Orleans into a giant chalkboard and stenciled it with the sentence “Before I die I want to _______.” so anyone walking by could pick up a piece of chalk, reflect on their lives, and share their personal aspirations in a public space.

 

close up of chalk holder and chalk sticks for before i die project in new orleans

Photograph via Candy Chang

 

 

mother and daughter writing on the before i die wall in new orleans

Copyright © Civic Center

 

 

man in pirate hat writing on before i die wall

Copyright © Civic Center

 

By the next day the wall was entirely filled out and it kept growing. People’s hopes and dreams made her laugh out loud, tear up, and feel consolation during her own tough times. The wall transformed a neglected space into a constructive one where we can restore perspective, remember we are not alone, and understand our neighbors in new and enlightening ways.

 

close up of before i die wall with peoples submissions

Photograph via Candy Chang

 

 

close up of before i die wall with peoples entries

Photograph via Candy Chang

 

 

close up of before i die wall with peoples contributions

Photograph via Candy Chang

 

The original installation was created February 2011 (at the corner of Marigny St and Burgundy St in New Orleans) and lasted until October 2011. At that point the property was purchased and the house is currently being renovated and turned into a home again. The project has since spread worldwide and walls have been created by communities in Mexico, the Netherlands, Australia, Kazakhstan, Canada, and cities all over America and beyond.

 

before i die goes wordwide and in multiple languages

Copyright © Civic Center

 

 

standing on a bike to reach top of before i die footprint to write her submission

Copyright © Civic Center

 

 

before i die project on the beach

Copyright © Civic Center

 

The project is about remembering what is important to you, creating a public space for contemplation, and reimagining how our public spaces can better reflect what matters to us as a community and as individuals.

 

Photograph via Candy Chang

 

 

Copyright © Civic Center

 

Candy Chang is an artist, designer, urban planner, and co-founder of Civic Center, a civic design studio in New Orleans. Additional installation assistance by Kristina Kassem, Alan Williams, Cory Klemmer, Anamaria Vizcaino, James Reeves, Alex Vialou, Sean Knowlton, Carolina Caballero, Earl Carlson, and Gary Hustwit.

 

Copyright © Civic Center

 

 

Photograph via Candy Chang

 

 

 

 

 

 

 

 

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This Interactive Street Art in Malaysia is Brilliant

 

Ernest Zacharevic is a Lithuanian street artist currently living in George Town, located in the province of Penang, Malaysia. As part of the George Town Festival that runs from June 15 – July 15, Ernest has been putting up some incredible street art all around the city.

The piece getting the most buzz online has been his artwork featuring two kids painted on a wall. He then strategically placed a real bike in front of the wall which not only gave the piece a three dimensional feel (that you can physically touch), but encouraged people to interact with the artwork and use their own creativity to put their personal spin on it.

The results have been spectacular, and the street art on Armenian Street has generated over a hundred submissions to Ernest’s Facebook page. You can check out the entire gallery here on Facebook.

The photos below are some of my favs along with three other pieces Zacharevic has done for the George Town Festival. Keep up the awesome work Ernest!

 

 

1.

 

artwork of girl and boy on a wall with a real bicycle placed in front that looks like they are riding it

Artwork and Photography by Ernest Zacharevic

 

 

 

2.

 

interactive street art in george town malasia real bike painted kids on wall people joining the scene

Original Artwork by Ernest Zacharevic | Remix by Avni

 

 

 

3.

 

Original Artwork by Ernest Zacharevic | Remix by Concerto L. Zhan

 

 

 

4.

 

Original Artwork by Ernest Zacharevic | Remix by Jean Ray

 

 

 

5.

 

Original Artwork by Ernest Zacharevic | Remix by Lucas

 

 

 

6.

 

Original Artwork by Ernest Zacharevic | Remix by Tham KokKeen

 

 

 

7.

 

Original Artwork by Ernest Zacharevic | Remix by Peng Phye

 

 

 

8.

 

Original Artwork by Ernest Zacharevic | Remix by Chin Heng Fong

 

 

 

9.

 

Original Artwork by Ernest Zacharevic | Remix by Sue Ern Tan

 

 

 

10.

 

Original Artwork by Ernest Zacharevic | Photograph by AsiaDreaming.wordpress.com

 

 

 

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Interactive Art Installation Turns People into Daredevils

Art Installation by LEANDRO ERLICH

 

 
Currently on display at Le 104 in Paris, artist Leandro Erlich’s ‘Bâtiment’ (building) is an incredible an highly interactive art installation that is part of the In_Perceptions exhibition that is open until March 4, 2012.

The illusion is achieved by recreating an entire building facade on the ground and installing a gigantic mirror tilted 45 degrees; creating wonderful photo opportunities of people seemingly dangling from windows and ledges, or whatever else you can think of! It’s playful, interactive, and all kinds of awesome. Would be fantastic to see this installation using different scenes
 

 

Art Installation by LEANDRO ERLICH

 

 

Art Installation by LEANDRO ERLICH

 

 

Art Installation by LEANDRO ERLICH

 

 

Sources

In_Perceptions exhibition at Le 104 in Paris, France
Artist Leandro Erlich’s Official Site
First spotted on Reddit

 

 

 

 

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Kids Turn White Room into Explosion of Color

 

 
The Obliteration Room 2011 revisits the popular interactive children’s project developed by Yayoi Kusama for the Queensland Art Gallery’s ‘APT 2002: Asia Pacific Triennial of Contemporary Art’. In this reworked and enlarged installation, an Australian domestic environment is recreated in the gallery space, complete with locally sourced furniture and ornamentation, all of which has been painted completely white. While this may suggest an everyday topography drained of all colour and specificity, it also functions as a blank canvas to be invigorated — or, in Kusama’s vocabulary, ‘obliterated’ — through the application, to every available surface, of brightly coloured stickers in the shape of dots.

As with many of Kusama’s installations, the work is disarmingly simple in its elemental composition; however, it brilliantly exploits the framework of its presentation. The white room is gradually obliterated over the course of the exhibition, the space changing measurably with the passage of time as the dots accumulate as a result of thousands and thousands of collaborators.

Interactivity became an important component of Kusama’s work in the mid to late 1960s, when her solo public performances expanded into participatory happenings. A product of the postwar Avant-garde, which almost immediately crossed over into popular culture, or at least underground counter culture, happenings developed as unconventional performance events increasingly relying on audience reaction and direct participation. Kusama’s happenings, known as ‘body festivals’ — or ‘orgies’, as they were often sensationally reported in the mainstream press — typically provided platforms for spontaneous and improvisatory behaviour within conceptual and aesthetic frameworks determined by the artist. Often involving public nudity — the artist hoped to contrast the beauty of the youthful human body with the violence of the US–Vietnam War — they challenged prevailing moral frameworks. [Source]

 

 

 

 

 

 

 

 

 

 

Artwork by Yayoi Kusama | Photograph by HeyBubbles

 

 

Artwork by Yayoi Kusama | Photograph by HeyBubbles

 

 

Artwork by Yayoi Kusama | Photograph by HeyBubbles

 

 

Artwork by Yayoi Kusama | Photograph by Mark Sherwood

 

 

Artwork by Yayoi Kusama | Photograph by Mark Sherwood

 

 

Artwork by Yayoi Kusama | Photograph by Stuart Addelsee

 

 

Sources

Queensland Art Gallery
Yayoi Kusama: Look Now, See Forever
– Photography: HeyBubbles, Stuart Addellsee
– First spotted on: Colossal Art & Design

 

 

 

 

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Picture of the Day: The Craziest Illusion in Paris

 

THE CRAZIEST ILLUSION IN PARIS

 

 

Artwork by FRANCOIS ABELANET | Photograph by Eric Tenin

 

An anamorphosis is a distorted picture that finds its original aspect ratio and makes sense when viewed from one angle. The artist François Abelanet has mastered this modern variation of trompe l’oeil, which he shows through a new masterpiece of land art which will be on display until July 15th on the steps of City Hall in the center of an ephemeral garden dedicated to urban trees.

With its geometric lines in 3D, the work gives visitors the illusion of a relief and covers 1500 square meters. It measures 100 meters long and requires 1200 square meters of lawn, 300 m² of sedum and 650 m3 of straw and sand. About 90 gardeners and technicians were mobilized continuously for five days for the completion of this ephemeral work of art.

This huge contemporary garden questions the link between nature and city, and their difficult coexistence. At the intersection of architecture, decoration and land art, the work “Who to believe?” shows the marriage between town and nature and between mineral and vegetable. A fleeting image that evokes the urban and the regular planting of trees along the streets.

With “Who to believe?” François Albaret invites the viewer to feel and experience the fundamental place of nature: “We live in a world where one intends to discuss the ecologists, scientists, industry … I wanted to just focus on the problem of the tree and to invite people to consider the place, the tree, nature and the environment for them. I wish for people to ask the question to themselves and feel how the environment is fundamental. ” [Translated from Paris.fr]