Google Earth Timelapse Lets You Explore the Globe and Watch It Change Over a 32 Year Span

Google Timelapse is a global, zoomable video that lets you see how the Earth has changed over the past 32 years

 

Google Timelapse is a global, zoomable video that lets you see how the Earth has changed over the past 32 years. It is made from 33 cloud-free annual mosaics, one for each year from 1984 to 2016, which are made interactively explorable by Carnegie Mellon University CREATE Lab’s Time Machine library, a technology for creating and viewing zoomable and pannable timelapses over space and time.

Using Google Earth Engine, the Timelapse team sifted through about three quadrillion pixels (that’s 3 followed by 15 zeroes) from more than 5 million satellite images acquired over the past three decades by 5 different satellites.

The team then took the best of all those pixels to create 33 images of the entire planet, one for each year. They then encoded these new 3.95 terapixel global images into just over 25 million overlapping multi-resolution video tiles.

Check out the embedded global, zoomable video below to explore Google Earth Timelapse! For more information visit the official website here.

 

Google Earth Timelapse Interactive

 

 

Google Earth Timelapse: Select Gifs

 

 

Google Earth Timelapse: Videos

 

 

 

 

 

 

 

This Statue Just Appeared on Wall Street

Kristen Visbal was commissioned by State Street to install a statue of a girl standing defiantly in front of Wall Street’s charging bull

Photograph by Kristen Visbal

 

Bronze artist Kristen Visbal was recently commissioned by State Street Global Advisors to install a statue of a young girl standing defiantly in front of Wall Street’s famous charging bull. According to Business Insider:

 

State Street Global Advisors, a nearly $2.5 trillion investor and unit within State Street Corp., rolled out the campaign ahead of International Women’s Day on Wednesday. The money manager said it would vote against boards if a company failed to take steps to increase its number of members who are women. State Street sent a letter to 3,500 companies on Tuesday asking the companies to act.
 
The money manager has cited gender diversity as a way to improve company performance and increase shareholder value. The lack of women on boards has long been a problem. Beyond pipeline issues, some boards see no reason to increase their gender diversity, data shows.
 
State Street wants every company it’s targeting to have at least one female board member and to take steps toward fixing its gender gap. “We’re not going to always automatically vote against the company, but we want to make sure there are tangible, concrete measures they are taking.” [source]

 

via reddit

 

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Forest of Numbers by Emmanuelle Moureaux

It’s like walking through ‘The Matrix’, only a lot more colorful

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© Emmanuelle Moureaux Architecture + Design
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To celebrate the NACT’s 10th anniversary (The National Art Center, Tokyo) French artist and architect Emmanuelle Moureaux transformed the Center’s 2,000 square meter Special Exhibition Gallery room into a Forest of Numbers.

To symbolize the NACT’s ‘next 10 years to come’:

 

More than 60,000 pieces of suspended numeral figures from 0 to 9 were regularly aligned in three dimensional grids. A section was removed, created a path that cut through the installation, invited visitors to wonder inside the colorful forest filled with numbers. The installation was composed of 10 layers which is the representation of 10 years time. Each layer employed 4 digits to express the relevant year such as 2, 0, 1, and 7 for 2017, which were randomly positioned on the grids. As part of Emmanuelle’s “100 colors” installation series, the layers of time were colored in 100 shades of colors, created a colorful time travel through the forest. [source]

 

Born in 1971, France. Emmanuelle Moureaux is a French architect living in Tokyo since 1996, where she established “emmanuelle moureaux architecture + design” in 2003.

Inspired by the layers and colors of Tokyo that built a complex depth and density on the street, and the Japanese traditional spatial elements like sliding screens, she has created the concept of shikiri, which literally means “dividing (creating) space with colors”. She uses colors as three-dimensional elements, like layers, in order to create spaces, not as a finishing touch applied on surfaces.

[via Colossal]

 

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© Emmanuelle Moureaux Architecture + Design
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© Emmanuelle Moureaux Architecture + Design
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© Emmanuelle Moureaux Architecture + Design
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© Emmanuelle Moureaux Architecture + Design
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© Emmanuelle Moureaux Architecture + Design
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© Emmanuelle Moureaux Architecture + Design
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© Emmanuelle Moureaux Architecture + Design
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© Emmanuelle Moureaux Architecture + Design
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© Emmanuelle Moureaux Architecture + Design
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Disco Ball Concrete Mixer Wants to Party Hard

If you find yourself in Lyon, France, look out for Benedetto Bufalino’s disco ball concrete mixer!

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If you find yourself in Lyon, France look out for a disco ball concrete mixer playing party music and inviting pedestrians to let loose if only for a fleeting moment. The playful installation was created by French artist Benedetto Bufalino, who even created a Facebook event inviting people to come dance on December 8 at Rue Président Carnot, 69002 in Lyon.

 

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You can find photos of the disco ball concrete mixer along with a video and a couple of behind-the-scenes photos of the build. For more creative diversions, check out Buafalino’s work at the links below.

[via designboom]

 

BENEDETTO BUFALINO
Website | Facebook | YouTube

 

 

BENEDETTO BUFALINO
Website | Facebook | YouTube

 

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BENEDETTO BUFALINO
Website | Facebook | YouTube

 

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BENEDETTO BUFALINO
Website | Facebook | YouTube

 

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BENEDETTO BUFALINO
Website | Facebook | YouTube

 

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BENEDETTO BUFALINO
Website | Facebook | YouTube

 

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BENEDETTO BUFALINO
Website | Facebook | YouTube

 

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BENEDETTO BUFALINO
Website | Facebook | YouTube

 

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BENEDETTO BUFALINO
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BENEDETTO BUFALINO
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An Interactive Map of Every Cargo Ship in the World in 2012

The heavy lifters of the global economy in motion

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Map by Kiln

 

Using over 250 million data points from the UCL Energy Institute (UCL EI), Kiln, a London-based data visualisation and digital journalism studio, created the incredible interactive map embedded below.

The map displays movements of the global merchant fleet over the course of 2012, overlaid on a bathymetric map. You can also see statistics such as a counter for emitted CO2 (in thousand tonnes) and maximum freight carried by the represented vessels (varying units).

The merchant fleet is divided into five categories, each of which has a filter and a CO2 and freight counter for the hour shown on the clock. The ship types and units are as follows:

– Container (e.g. manufactured goods): number of container slots equivalent to 20 feet (i.e. a 40-foot container takes two slots)
– Dry bulk (e.g. coal, aggregates): combined weight of cargo, fuel, water, provisions, passengers and crew a vessel can carry, measured in thousand tonnes
– Tanker (e.g. oil, chemicals): same as dry bulk
– Gas bulk (e.g. liquified natural gas): capacity for gases, measured in cubic metres
– Vehicles (e.g. cars): same as dry bulk

To see a full screen version of the map embedded below visit www.shipmap.org. You can also find some additional information on the map below.

[via Digg]

 

 

 

 

Why do ships sometimes appear to move across land?

In some cases this is because there are ships navigating via canals or rivers that aren’t visible on the map. Generally, though, this effect is an artefact of animating a ship between two recorded positions with missing data between, especially when the positions are separated by a narrow strip of land. We may develop the map to remove this effect in the future.

 

Why are there fewer ships visible in the first part of the year?

Unfortunately the data we are using for the map is incomplete for the first few months of the year: roughly January to April.

 

How was the map created?

UCL EI took data showing location and speed of ships and cross-checked it with another database to get the vessel characteristics, such as engine type and hull measurements. With this information they were able to compute the CO2 emissions for each observed hour, following the approach laid out in the Third IMO Greenhouse Gas Study 2014. Kiln took the resulting dataset and visualized it with WebGL on top of a specially created base map, which shows bathymetry (ocean depth), based on the GEBCO_2014 Grid (version 20150318), as well as continents and major rivers from Natural Earth.

 

Where did you get the data and who paid?

Our data sources for shipping positions are exactEarth for AIS data (location/speed) and Clarksons Research UK World Fleet Register (static vessel information). We are very grateful to our funders, the European Climate Foundation.

 

 

Artist Resurrects Ancient Building Site with Incredible Wire Mesh Installation

Edoardo Tresoldi’s installation brings the ancient town to life, letting visitors interact and explore the full-scale structure

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

At the Archaeological Park of Siponto in Foggia, Italy, artist Edoardo Tresoldi (featured previously) has brought an ancient building site to life with an incredible, full-scale building made from wire mesh.

Entitled Basilica di Siponto, the temporary installation resurrects the ancient port town’s architectural style, letting visitors explore and interact with the sculpture in a way that brings the area’s history to life.

At night, the wire mesh structure is stunningly illuminated giving visitors an entirely different experience of the structure and its surroundings. For more, check out Tresoldi’s work at the links below.

 

EDOARDO TRESOLDI
Facebook | Behance | Instagram

 

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

edoardo tresoldi wire mesh building (1)

EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

edoardo tresoldi wire mesh building (3)

EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

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EDOARDO TRESOLDI
Facebook | Behance | Instagram
Photograph by Blind Eye Factory

 

 

Florists Turn Abandoned House Into Flower Sanctuary (18 Photos)

Florists from across the country fill every nook and cranny of an abandoned house in Detroit with American-grown fresh flowers and plants

flower house detroit photography by heather saunders (15)

 

In mid-October, florists from across the country filled every nook and cranny of an abandoned house in Detroit with American-grown fresh flowers and living plants for a weekend-long installation that attracted over three thousand visitors.

Flower House was created by Lisa Waud, who says she was inspired by the large-scale artworks of Christo and Jeanne-Claude and a 2012 runway show by Raf Simons for Christian Dior.

The walls, ceilings and floors were filled with flowers—with participating florists given one of the 16 rooms to transform into a plant sanctuary.

Professional photographer Heather Saunders, who also volunteered as the project’s media coordinator, documented the entire process and breathtaking end results (prints from Flower House are available here).

To learn more check out the links below.

 

FLOWER HOUSE
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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

flower house detroit photography by heather saunders (16)

FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

flower house detroit photography by heather saunders (13)

FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

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FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

flower house detroit photography by heather saunders (3)

FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

flower house detroit photography by heather saunders (4)

FLOWER HOUSE
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Photography © Heather Saunders | Prints

 

Artists Turn Museum Floor Into All White 10,000 Sq Ft Ball Pit (12 Photos)

They recreated a ‘white sand beach’ experience using 750,000 recyclable plastic balls complete with umbrellas, chairs and food.

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The Beach is an interactive architectural installation designed by Snarkitecture for the National Building Museum in Washington, D.C. It ran from July 4 – September 7, 2015.

Taking cues from the familiar experience of a summer day at the beach, Snarkitecture abstracted both the natural and cultural elements of the beach to create a reduced, monochromatic environment inside the museum’s Great Hall.

Scaffolding, drywall, and mirrors were utilized to create an enclosure that led to an ocean of 750,000 recyclable plastic balls. The Beach welcomed visitors to explore, play and relax in a fully immersive and unique setting with other museum patrons.

 

SNARKITECTURE
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national building museum ball pit by snarkitecture (8)

Design by SNARKITECTURE
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Photograph by Noah Kalina

 

national building museum ball pit by snarkitecture (3)

Design by SNARKITECTURE
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Photograph by Noah Kalina

 

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Design by SNARKITECTURE
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Photograph by Noah Kalina

 

national building museum ball pit by snarkitecture (2)

Design by SNARKITECTURE
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Photograph by Noah Kalina

 

national building museum ball pit by snarkitecture (6)

Design by SNARKITECTURE
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Photograph by Noah Kalina

 

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Design by SNARKITECTURE
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Photograph by Noah Kalina

 

national building museum ball pit by snarkitecture (7)

Design by SNARKITECTURE
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Photograph by Noah Kalina

 

national building museum ball pit by snarkitecture (4)

Design by SNARKITECTURE
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Photograph by Noah Kalina

 

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Design by SNARKITECTURE
Website | Facebook | Twitter | Instagram
Photograph by Noah Kalina

 

national building museum ball pit by snarkitecture (9)

Design by SNARKITECTURE
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Photograph by Noah Kalina

 

national building museum ball pit by snarkitecture (12)

Design by SNARKITECTURE
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Photograph by Noah Kalina

 

This Art Exhibit Lets You Walk Through Rain Without Getting Wet

Random International’s ‘Rain Room’ is an immersive environment of perpetually falling water that pauses wherever a human body is detected.

rain room by random international at lacma photos by navid baraty (3)

Photograph by Navid Baraty

 

Random International’s Rain Room is an immersive environment of perpetually falling water that pauses wherever a human body is detected. The installation offers visitors an opportunity to experience what is seemingly impossible: the ability to control rain.

Following exhibitions at the Barbican in London and the Museum of Modern Art in New York, Rain Room is currently on display at the Los Angeles County Museum of Art (LACMA) until March 6, 2016.

 

 

Five to seven people are allowed in the room at one time. According to LACMA: Water is supplied through LACMA’s water main. Rain Room uses approximately 528 gallons (2000 L) of water within a self-contained system. The same 528 gallons will be recycled, filtered and used throughout the entire run of the exhibition. [source]

 

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Photograph by Navid Baraty

 

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Photograph by Navid Baraty

 

Founded in 2005, Random International is a collaborative studio for experimental practice within contemporary art. Taking science as a means to develop a new material vocabulary, their work invites consideration of the man/machine relationship through explorations of behaviour and natural phenomena, with the viewer an active participant.
 
Random International is led by founders Florian Ortkrass and Hannes Koch, who met at Brunel University before going on to study at the Royal College of Art. Ortkrass and Koch led the creative direction of the studio alongside cohort Stuart Wood until his departure in 2015. Based in London, with an outpost in Berlin, the studio today includes a wider team of diverse and complementary talent. [source]

 

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Photograph by Navid Baraty

 

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Photograph by Navid Baraty

 

You can find an interview with Random International founders Florian and Hannes on LACMA’s Unframed blog.

For all exhibition information visit LACMA. To see more projects from Random International, check out their official website.

All photography © Navid Baraty, via Behance.

 

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Photograph by Navid Baraty

 

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Photograph by Navid Baraty

 

 

Someone Put Giant Megaphones in the Woods So You Can Listen to the Forest

This idea sounds amazing.

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51% of Estonia is covered with forests and according to author Valdur Mikita, ‘Estonian culture is intertwined and imbued with forests’. In September, students from the Interior Architecture Department at the Estonian Academy of Arts installed three gigantic wooden megaphones that let you listen to naturally amplified sounds of the surrounding forest.

The student project was executed in collaboration with the Estonian Forest Management Centre and the multi-purpose megaphones also double as a sitting and resting area as well as a stage for small events.

Most of the installation was built in Tallinn at the end of August and then shipped to Võrumaa, Pähni Nature Centre—not far from Latvian border—where it has been installed and opened to the public as of September 18th.

The project was led by Birgit Õigus, with the rest of her coursemates Mariann Drell, Ardo Hiiuväin, Lennart Lind, Henri Kaarel Luht, Mariette Nõmm, Johanna Sepp, Kertti Soots and Sabine Suuster helping out with the building process.

You can find dropbox folders of the building process and transport/installation and visit the project page for more information.
 
All photos © Tõnu Tunnel

 

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